2009: Highlights in Film

Kamis, 31 Desember 2009

2009: Highlights in Film

Raya Martin's Independencia

2009: Highlights in Film

2009 has been both kind and cruel to Philippine cinema. As we celebrate the numerous recognitions Filipino films are getting from beyond Philippine shores (Brillante Mendoza winning Best Director in Cannes for Kinatay (The Execution of P) with Raya Martin's Independencia (which is the second Filipino film, after Mendoza's Serbis (Service) in 2008, to be featured in the prestigious New York Film Festival) and Manila (co-directed with Adolfo Alix, Jr.) also premiering in the film festival; Pepe Diokno's Engkwentro (Clash) winning the Luigi de Laurentiis Award and the Orrizonti Prize in Venice, where Mendoza's Lola (Grandmother) premiered in the main competition of the film festival; Pusan and Thessaloniki putting the spotlight on Philippine cinema, concentrating on the diverse output of the new wave of directors from the vibrant independent scene; Vienna holding a retrospective of Lino Brocka's works; among many others), we mourn the untimely passing of the heroes of Philippine cinema: Alexis Tioseco, a great critic who championed Southeast Asian, and more specifically Philippine cinema, concentrating on the films of the Diaz, Martin, and John Torres, whose works he dearly loved, with endless passion; and Johnny Delgado, a great actor whose collaborations with almost all of the country's great filmmakers (Brocka, Mike De Leon, Gerry De Leon, Laurice Guillen, and Celso A. Castillo), make up a portion of this country's vibrant cinema.

2009 also saw the continuation of what ails our cinema: an unimaginative mainstream (although I must admit that Chito Rono's T2, the first half of which is quite intriguing, Olive Lamasan's In My Life, a baby step for the mainstream to embrace gay cinema (as opposed to the banal comedies of Joel Lamangan that merely re-echoed the stereotypes of homosexuality from past decades with contemporary idiocy), and Laurice Guillen's I Love You, Goodbye, a fine film except that it ended illogically, were minor delights), and local film distributors that favor brainless blockbusters (Michael Bay's Transformers: Revenge of the Fallen and Chris Weitz's New Moon) to quality imports (although the latter part of the year saw the surprising commercial release of Werner Herzog's The Bad Lieutenant: Port of Call - New Orleans, James Gray's Two Lovers, Quentin Tarantino's Inglorious Basterds and Wes Anderson's Fantastic Mr. Fox). Despite that, the year saw the continuation of what gives us hope in our cinema: Cinemalaya, despite my apprehensions to its raison d'etre of independence through creative compromise, had a roster of good to great products (Alvin Yapan's Ang Panggagahasa Kay Fe (The Rapture of Fe), Veronica Velasco's Last Supper No. 3, Borgy Torre's charming short Bonsai); Cinemanila, apart from showcasing the best films from around the world (including Christopher Chong's Karaoke, Sergei Dvortsevoy's Tulpan and Tomas Alfredson's Let the Right One In), saw the premieres of Raymond Red's Himpapawid (Manila Skies), his first film since winning the Palm D'Or for his short film Anino (Shadows), Christopher Gozum's Anacbanua (Child of the Sun), and Armando Lao's Biyaheng Lupa (Soliloquy), and CinemaOne, despite my problem with the festival's treatment of its director's property rights with regards their films, which produced its sole masterpiece, Ray Gibraltar's Wanted: Border.

One can only hope for better things for 2010: with filmmakers getting their due respect, not only in terms of recognition but also basic sustenance (it pains me to see these filmmakers struggling to pay off debts incurred for the sole reason of advancing this country's cinematic culture); with our audience actually watching the films that have garnered worldwide fanfare instead of simply reading about them from obscure press releases in several broadsheets; with more film lovers writing about our cinema, giving room to responsible discourse about our films. Now, on to the lists:

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Werner Herzog's The Bad Lieutenant: Port of Call - New Orleans

Top 10 Foreign Films Released in 2009

1) The Bad Lieutenant: Port of Call - New Orleans (Werner Herzog)
2) Two Lovers (James Gray)
3) Ponyo (Hayao Miyazaki)
4) Karaoke (Christopher Chong)
5) Let the Right One In (Tomas Alfredson)
6) Fantastic Mr. Fox (Wes Anderson)
7) Public Enemies (Michael Mann)
8) Tulpan (Sergei Dvortsevoy)
9) Inglorious Basterds (Quentin Tarantino)
10) Drag Me To Hell (Sam Raimi)

*****


Christopher Gozum's Anacbanua

Top 10 Filipino Films Released in 2009

1) Independencia (Raya Martin)
2) Kinatay (The Execution of P, Brillante Mendoza)
3) Wanted: Border (Ray Gibraltar)
4) Anacbanua (Child of the Sun, Christopher Gozum)
5) Lupang Hinarang (Hindered Land, Ditsi Carolino)
6) Himpapawid (Manila Skies, Raymond Red)
7) Walang Alaala ang mga Paru-paro (Butterflies Have No Memories, Lav Diaz)
8) Ang Panggagahasa Kay Fe (The Rapture of Fe, Alvin Yapan)
9) Last Supper No. 3 (Veronica Velasco)
10) Kimmy Dora (Joyce Bernal)

*****


Raymond Red's Ang Magpakailanman

Top 5 Older Filipino Films Seen for the First Time in 2009

1) Pagdating sa Dulo (At the Top, Ishmael Bernal, 1971)
2) Bakit Dilaw ang Gitna ng Bahaghari? (Why is Yellow the Middle of the Rainbow?, Kidlat Tahimik, 1994)
3) Bontoc Eulogy (Marlon Fuentes, 1995)
4) Ang Magpakailanman (The Eternity, Raymond Red, 1982)
5) Kagat ng Dilim (Dark Bites, Cesar Hernando, 2006)

(Cross-published in Senses of Cinema, 2009 World Poll)